Art

Article Published by: reynoldahouse.org Worthington Whittredge, 1820 - 1910 This intimate landscape, considered by many Worthington Whittredge’s masterpiece, commands the attention of the viewer through dramatic use of light and a strong vertical composition. A limited palette, controlled brushstroke, and realistic forms create a picture of restrained natural

Article Published by: storywork.com A Sacred Journey of Personal Discovery Over the years, television and other cultural forces have robbed us of storytelling as a tool of communicating, learning, and healing. In The Healing Art of Storytelling, StoryWork International CEO Richard Stone describes this crisis and its

Article Published by: reynoldahouse.org Thomas Cole is known primarily as the father of the Hudson River School of landscape painting. Cole enjoyed the patronage of several prominent businessmen in New York City, and they would have been particularly interested in his depictions of the seemingly limitless resources

Article Published by: reynoldahouse.org Blue Jay demonstrates John James Audubon’s mastery at creating lively compositions which he developed from both direct observation and the specimens he collected. Engraved by Robert Havell after Audubon’s original watercolor, it captures the villainous character of its subject with a restrained beauty.

Article Published by: reynoldahouse.org Frederic Church: A Painter’s Pilgrimage, organized by the Detroit Institute of Arts, features more than fifty paintings and studies that Church completed during and after his 1867–1869 trip to the Near East, Rome, and Greece. Church specialized in the production of dramatic, large-scale

Article Published by: unc.edu At Carolina, the future is CURRENT. Chancellor Carol L. Folt, along with Special Assistant to the Chancellor for the Arts Emil Kang and Chapel Hill Downtown Partnership Chairman Scott Maitland, officially opened the CURRENT ArtSpace + Studio with a ribbon cutting ceremony Feb.